Images you find online are not auto­mat­ic­ally free to use. Under UK law, using them without per­mis­sion can amount to copyright in­fringe­ment. Even pho­to­graphs you take yourself can raise legal issues—for instance, because of privacy rights, data pro­tec­tion law, or con­trac­tu­al re­stric­tions (such as house rules in museums or private venues).

Key Takeaways

  • Check image rights: Use a suitable licence, verified public-domain material, or a legal exception; an image found online is not auto­mat­ic­ally free to reuse.
  • Apply fair dealing carefully: Its con­di­tions depend on the purpose; the current-events reporting exception excludes pho­to­graphs.
  • Check your own pho­to­graphs: Freedom of panorama covers buildings and certain works, not every publicly visible artwork; privacy and data pro­tec­tion still matter.
  • Treat AI ownership cau­tiously: Prompting alone does not establish copyright, and pro­tec­tion of gen­er­at­ive outputs can be uncertain.
  • Document per­mis­sions: Keep licence records, define agency ob­lig­a­tions, and consult an in­tel­lec­tu­al property solicitor if you receive a claim.

An original pho­to­graph or graphic is auto­mat­ic­ally protected by copyright under the UK Copyright, Designs and Patents Act 1988 (CDPA). Re­gis­tra­tion and a © symbol are not required. The author is normally the first copyright owner, although works made in the course of em­ploy­ment and as­sign­ments of rights can affect ownership. Copyright controls acts such as copying, dis­tri­bu­tion, and com­mu­nic­a­tion to the public. Unless a licence or legal exception covers your use, taking an image from Google or social media for your site can infringe copyright.

In the UK, pro­tec­tion lasts for 70 years after the end of the year in which the creator dies. Using even part of an image may infringe copyright if it is a sub­stan­tial part of the original work and not covered by a legal exception.

Copyright in­fringe­ment may occur when:

  • You upload or share an image without per­mis­sion from the rights holder.
  • You alter, crop, or otherwise adapt an image without the necessary rights.
  • You use an image outside the terms of its licence (e.g. using a ‘non-com­mer­cial’ image for business content).
  • You com­mis­sion someone to recreate a re­cog­nis­ably similar version of a protected image.

Limited ex­cep­tions include fair dealing for criticism, review, and quotation, subject to their statutory con­di­tions, including suf­fi­cient ac­know­ledge­ment where required. The fair-dealing exception for reporting current events expressly excludes pho­to­graphs under CDPA section 30(2). A pho­to­graph may still qualify under a different exception, but at­tri­bu­tion alone does not make the use lawful. UK fair dealing is not in­ter­change­able with US fair use.

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In the UK, uploading or dis­play­ing an image without per­mis­sion usually infringes image copyright unless an exception applies. Social media platforms’ terms of service typically require users to have the rights to any images they upload. Sharing, reposting, or embedding images from websites may also infringe unless the image was ori­gin­ally licensed for that kind of reuse.

There is no broad ‘private use’ exemption in UK copyright law. Depending on the cir­cum­stances, sharing copy­righted material in private groups or chats may still qualify as com­mu­nic­a­tion to the public.

Pho­to­graph­ers, agencies, and image libraries often employ reverse image search and tracking systems to detect un­au­thor­ised use. A rights holder may demand removal, seek damages, or bring civil pro­ceed­ings. Use properly licensed images, material whose public-domain status you have verified, or your own images after checking any rights in their subject matter.

Using images legally

Get proper per­mis­sion

To stay safe, use images only when you have explicit per­mis­sion or a valid licence. Creative Commons licences can allow limited free use of images, provided you comply with their con­di­tions (e.g. at­tri­bu­tion, non-com­mer­cial use). Always check licence details carefully. At­tri­bu­tion alone does not make use lawful—it must accompany a le­git­im­ate licence.

Verified public-domain material may be reused without copyright per­mis­sion, but privacy, trademark, and other rights can remain. CC0 seeks to waive copyright and includes a fallback licence where a waiver is not possible; it does not clear third-party rights. Keep doc­u­ment­a­tion of the source and rights status.

Use reputable stock photo sites

Libraries and platforms such as Adobe Stock, Pexels, and Shut­ter­stock offer images under different terms. Royalty-free does not mean copyright-free or un­res­tric­ted: licences may limit media, modi­fic­a­tions, resale, or sensitive uses. Rights-managed licences specify the permitted use, territory, or duration. Pexels uses its own licence rather than a general rights-managed model. Check the current terms for each asset.

Creative Commons and open licences

Creative Commons (CC) provides standard licences for reusing works under con­di­tions such as at­tri­bu­tion, ShareAlike, and non-com­mer­cial re­stric­tions. No­De­riv­at­ives licences do not permit sharing adapted material. CC0 seeks to dedicate a work to the public domain, with a fallback licence where necessary; privacy, publicity, and other third-party rights can still apply.

Keep evidence of any Creative Commons or stock image licences (screen­shots, download con­firm­a­tions) to demon­strate per­mis­sion if ques­tioned later.

Taking and using your own photos

Even when you take photos yourself, image copyright con­sid­er­a­tions remain. You auto­mat­ic­ally hold copyright in your own pho­to­graphs, but what appears in those photos may be subject to other rights:

  • Buildings and certain works: CDPA section 62 permits pho­to­graphs of buildings, and of sculp­tures, models for buildings, and works of artistic crafts­man­ship per­man­ently situated in a public place or premises open to the public. Copies may be dis­trib­uted or com­mu­nic­ated to the public, including com­mer­cially. This is not a general exception for all artwork: paintings and murals are not covered merely because they are publicly visible. Access con­di­tions and other rights remain relevant.
  • People: Privacy and data pro­tec­tion ob­lig­a­tions depend on the context and ap­plic­able lawful basis. For ad­vert­ising or material sug­gest­ing a person’s en­dorse­ment, obtain an ap­pro­pri­ate written release. Editorial and street pho­to­graphy are not auto­mat­ic­ally exempt from privacy or data pro­tec­tion rules.

If you hire freel­an­cers or agencies, specify rights clearance, evidence retention, and any in­dem­ni­fic­a­tion in the contract. An indemnity offers con­trac­tu­al recourse but does not prevent a rights holder from making a claim.

Ar­ti­fi­cial in­tel­li­gence (AI) now plays a major role in producing and editing visual content, but it also raises new questions about image copyright ownership and potential copyright in­fringe­ment. Under the UK Copyright, Designs and Patents Act 1988 (CDPA), the legal position for AI assisted images differs from that in the United States or the EU. The CDPA ex­pli­citly re­cog­nises ‘computer generated works’, meaning works produced by a computer in cir­cum­stances where there is no human author. According to section 9(3) of the Act, the author of such a work is con­sidered to be the ‘person by whom the ar­range­ments necessary for the creation of the work are un­der­taken’.

In practice, this means:

  • Original human creative con­tri­bu­tions to an AI-assisted image may be protected. Merely prompting a tool or choosing an output does not auto­mat­ic­ally establish copyright ownership or ori­gin­al­ity.
  • Section 9(3) addresses computer-generated works, but how it applies to modern gen­er­at­ive AI, who un­der­takes the necessary ar­range­ments, and whether the other con­di­tions for pro­tec­tion are met can be uncertain. Do not assume every AI output is protected or that pro­tec­tion will be re­cog­nised abroad.
  • When using AI tools hosted abroad, licence terms may grant the provider extensive reuse rights or limit your own use, so always check each platform’s policy carefully.

Risks and best practices

AI based tools can oc­ca­sion­ally output material re­sem­bling existing creative works, making copyright in­fringe­ment a real risk. Since many AI systems are trained on vast image databases, generated results may un­in­ten­tion­ally include fragments of copyright protected content.

To remain compliant:

  • Review the AI provider’s terms and data sources. Trans­par­ent tools disclose their datasets and allowed uses.
  • Avoid prompts that reference specific artists, brands, or pho­to­graph­ers.
  • Disclose AI gen­er­a­tion or al­ter­a­tion where required by law, the platform, or a contract, and where necessary to avoid mis­lead­ing readers; not every AI retouch is subject to a general visible-labelling duty.
  • Keep records of the tool, prompt, and version used for doc­u­ment­a­tion.
  • Combine AI generated elements with your own human creative input wherever possible.

It’s also important not to use AI to ‘enhance’ or ‘recreate’ existing third party photos without a licence—doing so can result in de­riv­at­ive works that infringe copyright. When in doubt, treat the AI output as if it were copyright protected, and verify that your use complies with every relevant licence or exception.

Staying compliant

To avoid legal trouble, always presume every photo is copyright protected unless proven otherwise. Obtain written per­mis­sions, keep detailed records, and follow all licence terms. Avoid un­veri­fied image sources and AI tools that don’t clearly assign rights. If you receive a claim or notice, consult an in­tel­lec­tu­al property solicitor ex­per­i­enced in image copyright disputes.

Please note the legal dis­claim­er relating to this article.

Reviewer

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