Millions of users publish their music on the internet platform Sound­Cloud. The spectrum for Sound­Cloud users is broad – ranging from es­tab­lished musicians and music producers to small, un­dis­covered bands and solo artists. This has helped develop Sound­Cloud into the most-used service of its kind, but there are plenty of al­tern­at­ives. Bandcamp, Mixcloud, hearthis.at, and many more online music streaming websites are similar to Sound­Cloud, giving amateur and pro­fes­sion­al musicians alike a platform to upload their own songs and market them. So which is the best platform and how do these services differ?

Sound­Cloud: an overview

Sound­Cloud is the market leader in online music services that allow you to upload songs as you please. The platform is suitable for present­ing music of all genres – and is even used by globally-re­cog­nised artists like Kanye West and major music labels like Universal. There are really only two small re­quire­ments for uploading an audio file: You have to have the right to use the published material, and you can’t violate any copyright laws. Over time, the range of functions offered by this upload service has expanded sig­ni­fic­antly. At first, the service was just as focused on the listener as it was the music producer, but this has since expanded in recent years as Sound­Cloud has aimed to change the way that its users discover and listen to music.

Back­ground

Sound­Cloud was founded in Stockholm 2007 and has its central office headquar­ters in Berlin. The original idea for the website was just to provide a platform for musicians and producers to swap re­cord­ings with one another. But the service quickly developed to allow everyone access to the songs uploaded by artists – with users able to stream songs directly from the website without re­gis­tra­tion.

This has led to Sound­Cloud becoming a sort of YouTube for playing songs. As a result, Sound­Cloud had been mostly used by musicians that have no in­volve­ment with major music labels until recently: most of the artist profiles on Sound­Cloud belong to musicians who work more or less in­de­pend­ently, perhaps with the backing of a small, in­de­pend­ent record label.

2016 marked a sig­ni­fic­ant change for Sound­Cloud: The release of Sound­Cloud Go. In the years running up to this, the music streaming service ne­go­ti­ated with major music labels to gain rights to a huge back catalogue of songs, allowing them to increase the range of music on offer and compete with es­tab­lished streaming sites like Spotify, Apple Music, and the new but in­flu­en­tial Tidal. These major artists are now available to listen to on Sound­Cloud, but only for users who subscribe to Sound­Cloud Go - a new, fee-based package. But songs uploaded directly to Sound­Cloud - be it from unsigned artists, worldwide su­per­stars, or music labels – remain free to stream for all users.

Users

It doesn’t matter whether the genre is 70s rock, hip hop, classical music, or techno: Artists use the Sound­Cloud service to publish their music and reach an audience. Due to the ease of pub­lic­a­tion, the Sound­Cloud site has also developed into the most popular platform for uploading mixtapes, remixes, and even whole DJ sets. According to Sound­Cloud’s official figures, the service has over 175 million users and is a platform beloved by both producers and consumers of music: artists and labels use the website for dis­tri­bu­tion and marketing, while music lovers can listen to the latest releases and discover new artists. And, strictly speaking, Sound­Cloud isn’t solely a music platform. There are plenty of other audio files uploaded to the site, the most common one after music being podcasts.

The fee-based sub­scrip­tion package Sound­Cloud Go is designed to change the website forever. With the huge new music catalogue available to them, Sound­Cloud intends to do battle with Apple, Spotify, and Co. in the sub­scrip­tion-based music streaming service industry. By in­creas­ing the amount of music they can offer users, Sound­Cloud is also expecting to see a greater number of new users crossing over from the other streaming platforms. This could be to the advantage of unknown artists who publish their music on Sound­Cloud: the more users on the platform listening to music, the wider the reach meaning that there’ll be more potential listeners for un­dis­covered artists to tap into.

One of the main benefits of Sound­Cloud for unsigned acts compared to its al­tern­at­ives is the ‘Similar Tracks’ feature. This is or­ches­trated by an algorithm that searches Sound­Cloud for similar music based on genres and tagging. So if your music is similar to that of Skepta, and you’ve tagged your music properly so that Sound­Cloud’s music re­cog­ni­tion software can find and cat­egor­ise it properly, you have a chance of being listed under the Similar Tracks heading on the right-hand side of Skepta’s Sound­Cloud artist page. Once a listener has played through all of the songs on the Skepta page, the Similar Tracks will start playing auto­mat­ic­ally – giving un­dis­covered artists an amazing op­por­tun­ity to reach their target audience.

Another useful tool is the ‘Suggested Tracks’ feature. This is conducted by another algorithm that assesses the listening habits of all Sound­Cloud users as well as their likes and shares. Through doing this it can decipher the user’s music taste and then recommend a mixture of popular artists and un­dis­covered acts tailored to the in­di­vidu­al user’s listening habits.

Price models and functions

There are a number of options available to you if you want to use Sound­Cloud to publish your music. The free account allows you to upload up to a total of 3 hours of audio material. A Pro account is still very af­ford­able, but offers you 6 hours of upload material instead. It also offers certain other features like listening stats. The Pro Unlimited account meanwhile is just under double the price of the Pro account but comes with unlimited audio file uploads and detailed in­form­a­tion on locations of user plays and types of web pages and apps that your listeners use most often. Full pricing and other in­form­a­tion about the options available to artists is available on the Sound­Cloud Pro packages page. There are also a number of different models when it comes to listening to Sound­Cloud too. Streaming of all audio files uploaded to Sound­Cloud by users (so not ones covered by Sound­Cloud Go) works com­pletely free of charge and without re­gis­tra­tion. But a free re­gis­tra­tion also lets you download many songs for free too. The songs you can and can’t download are decided by the musicians them­selves on a track by track basis. Sound­Cloud Go offers you a music database of over 135 million tracks including releases by some of the most famous artists worldwide, but it comes at a monthly sub­scrip­tion price. Pro Unlimited Sound­Cloud users can add Sound­Cloud Go to their account for a very small extra monthly fee. Sound­Cloud Go also offers sub­scribers the chance to make certain songs and playlists available for offline playback, and – unlike the free package – it’s com­pletely free of adverts. Sound­Cloud doesn’t just offer music, it also functions as a social network. Re­gistered users can follow the profiles of other users as well as liking and sharing tracks. One of the trade­marks of the Sound­Cloud service is that the duration of every song is depicted in wave form. This makes it possible for users who are logged in to leave comments on different bars of a given song’s wave form. Other functions like the Suggested Tracks feature that we mentioned earlier, are available to everyone who has a re­gistered account. These features are offered with all account types too, including the free one. Lastly, it’s also possible to link up your Sound­Cloud account with Facebook, Twitter, Google+, and Tumblr, in order to market content from Sound­Cloud.

Pros and cons

Perhaps the biggest plus point for Sound­Cloud is the fact that the web service is an authentic, respected, and lively part of the current music scene. The brand is extremely well-known and used by music makers and en­thu­si­asts the world over. Many musicians and music producers consider it a matter of course to operate a Sound­Cloud page. This is because it’s quick to set up, easy to manage, and can become the perfect digital business card for an artist if properly marketed and main­tained. It’s also possible to manage your account from your fin­ger­tips by using the Sound­Cloud app (available for iOS and Android). The downside for musicians is that it’s not possible to sell your music directly via the platform – meaning that songs can only be either down­loaded for free or not at all. Online sales are possible from external sites with embedded Sound­Cloud links, however. This is one advantage that other providers (like Bandcamp) offer – the ability to sell music directly from within the streaming platform. This is more practical and lucrative for artists, while also sim­pli­fy­ing and short­en­ing the customer journey from artist discovery to sale trans­ac­tion.

Ad­vant­ages Dis­ad­vant­ages
Basic functions and many features including the Android and iOS apps are free of charge Paid account is necessary if you want to upload more than 3 hours of audio material
Enormous reach and a straight­for­ward upload and download method No direct sales option via the platform
Many functions similar to those found on social networks (likes and shares) which can be used for marketing purposes

Al­tern­at­ives to Sound­Cloud

For those who don’t want to use Sound­Cloud there are plenty of al­tern­at­ive ways to promote music online. Some of these services focus on providing their users with as much music as possible, while others focus more on selling the music that is uploaded by artists. We’ll take a look at some of the best-known providers and assess their pros and cons. AS with Sound­Cloud, all of the examples below are aimed at music makers as well as everyday music fans.

Bandcamp

Also founded in the year 2007, Bandcamp is con­sidered one of the most famous Sound­Cloud al­tern­at­ives. The vast majority of musicians and bands found on Bandcamp are unsigned or on in­de­pend­ent labels. And some of the unsigned acts offer their entire back catalogue on the website. When it comes to genres, Bandcamp is best known for being the site of choice for rock and indie bands. In 2014, the site in­tro­duced a new feature called ‘Bandcamp for Labels’. This was gradually used by various well-known in­de­pend­ent labels including Sub Pop, Epitaph, Ipecac, Ninja Tune, and Fat Wreck Chords. Re­gis­tra­tion for Bandcamp is free of charge for artists. But labels have to pay a moderate monthly fee if they use the site to promote up to 15 acts, or they can choose to pay a more sub­stan­tial monthly fee to promote unlimited bands. The Bandcamp for Labels homepage offers a full list of pricing and in­form­a­tion for labels packages. Bandcamp also enables you to sell your own music directly.  As long as you have an account (be it an artist account or a label account), you can make the decision to offer your music free of charge or at a price for download. The number of free downloads is limited but can be increased through a small payment. One benefit of selling your music on Bandcamp is that their sales cut is re­l­at­ively low: 15% of every sale goes to the platform, with the artist or label keeping the rest. And if an album receives more than 50,000 paid downloads, Bandcamp’s cut drops even lower, to just 10%. Should you also decide to sell physical copies of your music via CDs or vinyl records, or mer­chand­ise like t-shirts or posters, you can do so easily from your Bandcamp page – with the host site taking 10% of the sales. Bandcamp un­for­tu­nately offers very little in the way of social network functions. It’s possible to follow users, share their content, and embed it in a website, but you can’t leave public comments or send musicians private messages via Bandcamp. There are options to include links to other websites or social media accounts on your artist page though.

Ad­vant­ages Dis­ad­vant­ages
Free to use with a re­l­at­ively big reach Very few social media features
Easy and prof­it­able way to sell your music to fans

hearthis.at

The German company hearthis.at is another al­tern­at­ive to Sound­Cloud. Not only are the pair both based in Germany, but the ap­pear­ance and features offered by hearthis.at are re­mark­ably similar to the market leader. The hearthis.at website also features the tra­di­tion­al wave form image for the duration of a song, has comment, like, and share features, and is available via an Android or iOS app too. But when it comes to making money from your own music, hearthis.at outdoes its com­pet­it­or and role model con­sid­er­ably: anyone can sell their songs easily on the website – even with a free mem­ber­ship package. As a com­mis­sion, the provider keeps the full value of every tenth good sold via the website. The free version of hearthis.at allows you to upload up to 1,500 MB of audio material in MP3 format. But for users who require more, it’s possible to pay a very small monthly or annual sub­scrip­tion to upload unlimited files in a variety of ad­di­tion­al formats, including FLAC, WAV, AIF, M4A, AAC, OGG, and WMA. All this makes it sound like hearthis.at is indeed the perfect Sound­Cloud al­tern­at­ive – but un­for­tu­nately there are two snags. For one, the website does have a very bland feel to it, as if everything that’s legally possible to copy from Sound­Cloud has been copied. This lack of cre­ativ­ity and branding makes hearthis.at feel less exciting and at­tract­ive for both artists and listeners. In fact, the only dis­tin­guish­able in­de­pend­ent feature is the world map, which allows you to explore the music tastes and tagging tend­en­cies of hearthis.at listeners in different parts of the world. And one look at the results on this world map high­lights the second problem with hearthis.at: the limited reach. At present, the lack of users means hearthis.at can’t really compete with Sound­Cloud for the spot of number 1 music streaming platform.

Ad­vant­ages Dis­ad­vant­ages
Offers almost all necessary functions in the free version Far, far fewer users than the market leader
Selling music files is straight­for­ward and fair Lack of cre­ativ­ity: almost all features and designs are copies of Sound­Cloud
The app offers plenty of social media functions

Mixcloud

Despite its similar sounding name, Mixcloud is different from Sound­Cloud in a number of ways. Firstly, the musical direction of the site, as you may have guessed from the first part of the name, is pre­dom­in­antly focused on pub­lish­ing DJ mixes. Although many DJ mixes are also available on Sound­Cloud, the limited upload time and main­stream appeal of the market leader means that it’s not tailored spe­cific­ally to this type of audio file: the vast majority of songs on Sound­Cloud are between 3 and 6 minutes long. Beyond its primary focus of DJ mixes, Mixcloud also operates as a popular online platform for podcasts and radio shows (even those without musical segments). Prominent users of Mixcloud include Barack Obama, Ted Talks, and the tech­no­logy website Wired. This unique focus on audio content makes the service stand out from the other music streaming website providers. As the above names suggest, Mixcloud also has a re­l­at­ively large, in­ter­na­tion­al following to fall back on. A Basic account with Mixcloud is free of charge and comes with access to the entire database of Mixcloud uploads, plus unlimited uploads of your own material – the catch being that you’ll have to deal with adverts in­ter­rupt­ing you regularly. Listeners can upgrade to a Premium account to get rid of all ads for a small monthly fee, while music producers can upgrade to a Pro account to receive access to a range of stat­ist­ics and extra functions (including automatic and dated upload of files and a per­son­al­ised Mixcloud page with shows). The one big drawback of Mixcloud is that it lacks a download option: Mixcloud is purely a streaming website.

Ad­vant­ages Dis­ad­vant­ages
Targeted at a niche audience: if you want to speak directly to your target audience, Mixcloud offers a better built-in genre following than any of the com­pet­i­tion Targeted at a niche audience: if you don’t offer DJ mixes or audio shows, your material will likely go unnoticed here
No limit on upload file size or duration, and a re­l­at­ively large reach Streaming only – no option to download files

The Future FM

The Future FM is another un­con­ven­tion­al music streaming project that could be con­sidered a Sound­Cloud al­tern­at­ive. Like most of the other streaming services we’ve discussed already, The Future FM has chosen a niche to make it stand out from the crowd: it focuses on DJ mixes, but par­tic­u­larly ones that have a total running time of 15 minutes or less. This separates this streaming service, based in New York, from Mixcloud, and makes it a great platform for DJs looking to showcase their material. Listeners can search through a big database and filter their mixes by different music genres or by moods (like happy, romantic, relaxed, etc.). But despite this, the quantity of music on offer is still fairly man­age­able – even though The Future FM does have some huge names like Tiësto, David Guetta, and other famous music producers re­cog­nised worldwide. The web service is com­pletely free of charge and even allows users to upload unlimited audio files. But if you want to enjoy The Future FM without in­ter­rup­tions from adverts, this comes at small monthly sub­scrip­tion charge of 7 USD.

Ad­vant­ages Dis­ad­vant­ages
Targeted at a niche market: ideal for DJs Targeted at a niche market: no use for any musicians or listeners dis­in­ter­ested in DJ mixes
Unlimited upload Com­par­at­ively smaller reach

Sound­Cloud is useful, but there are al­tern­at­ive music streaming services

Sound­Cloud has many ad­vant­ages. It’s easy to use, works smoothly, and offers a huge user reach - so there’s not much surprise that it’s the most popular platform around for the free upload and pub­lic­a­tion of music. You can also set up an account quickly and easily, and even the free account can turn an amateur musician into a very pro­fes­sion­al sounding artist. So as a music maker, it makes a lot of sense to use this popular portal to reach the biggest audience possible and market your releases.

But there are also a number of al­tern­at­ives to Sound­Cloud when it comes to music marketing. This is es­pe­cially the case for users who want to sell their music online as Sound­Cloud has no option for this. It can be a daunting task to organise payment trans­ac­tions and receipts yourself, so Bandcamp and hearthis.at are great options for musicians looking to make money. Both these services already have the in­fra­struc­ture to cope with sales, and they also offer more than reas­on­able com­mis­sion rates for products sold on their platforms. So if you want to sell your music on a streaming service, it makes sense to use one of these two.

But even if you’re not looking to sell music online and just want to find at­tract­ive, reliable streaming sites like Sound­Cloud, there are still plenty of worth­while options. Certain platforms are targeted to par­tic­u­lar musical genres and niches: Bandcamp is the platform of choice for many rock and indie bands, while The Future FM (and to an extent also Mixcloud) is focused more on DJ mixes. So if you fit one of these genres, then you can take advantage of the built-in target market these sites offer and also benefit from the re­l­at­ively fewer artists to compete with compared to Sound­Cloud.

The truth is, when it comes to marketing your music and promoting yourself as an artist online, the approach should be the same as with any other online marketing campaign: A thorough, properly targeted marketing plan is the key to success. It stands to reason that using a com­bin­a­tion of several streaming services is the best way to reach the biggest possible audience and give yourself the best chance of suc­ceed­ing in music.

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